Hayne Park is an artist who works with light and glass as primary media. GLORYHOLE LIGHT SALES is a brand founded by the artist who also uses the brand name as her designer name. With an educational background in art and glass art, she began the manufacturing and sales of lighting products since 2015. She continues to pursue a novel path between art and business. The product manifested with glass and light presents a sculpture that encompasses both stillness and movements by which she facilitated its usage as everyday lighting.
The work by Hayne Park/Gloryhole Light Sales is profoundly infused with the characteristic of lighting which is ‘the light pertaining in the surroundings of everyone’s life.’ Based on this fundamental notion as well as deep contemplation of ambiguous identity conveyed by a product that represents manufacturing good as lighting and creative artwork, she explores the involvement of art objects in everyday life and the interaction of values in functionality and product quality, also art and commercial attributes retained in the work.
Inspired by the belief in the comfort brought by the life of light to people, she continues to pursue the career path and focuses on creating the lighting that invokes life.
박혜인은 빛과 유리를 주 매체로 하여 작업하는 미술가이며,글로리홀 GLORYHOLE LIGHT SALES은 그가 운영하는 브랜드이자 디자이너로서의 이름입니다. 미술과 유리를 공부했으며, 2015년부터 조명을 제작하고 판매하며 미술 작업과 비즈니스 제품 사이의 새로운 길을 찾아가고 있습니다. 정지되어있지만 동시에 살아있는 물질로서의 유리와 빛이 만나 이루어내는 조형을 만들고, 글로리홀은 그것을 일상에서 조명으로도 쓰임이 가능하도록 만듭니다.
사람의 삶에 있어 '가까이 두고 바라볼 수 있는 빛'이라는 조명의 특성을 작업의 조건으로 삼고 조명과 미술품 사이 - 창작과 생산의 접점 미술-조명이 가지는 모호한 정체성에 대해 질문하면서, '예술과 상업', '기능성과 작품성'이라는 서로 다른 가치들이 작업에 어떻게 양립할 수 있는지 고민하고 미술 오브제가 삶에 어떻게 다가가야 하는지를 탐구하고 있습니다.
빛이 생명력을 가지고 사람들을 위로해줄 수 있다는 믿음은 작업을 지속하게 하는 동기이며, 살아있음을 환기시키는 빛을 인공조명으로 다시 만들어내는 일에 집중하고 있습니다.
죽은 생명체의 흔적을 보존하는 공간으로서의 박물관. 이곳에는 17세기 사람들의 믿음을 따라 만들어진 고대의 자연물들과 가상 세계 속에 놓인 화석이 홍수 뒤의 모습으로 공존한다. 그들은 애초에 물에 잠기지 않았어야 하지만 물에 잠김으로써 죽음으로부터 깨어나 새로운 탄생을 도모할 수 있다.
상품명. | Diluvial |
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상품간략설명. | Introduction The story of flooding, fossils, and sleep and memories in the virtual world To bring these elements together, we need a foregone conclusion. The myth that God created the world in six days and that because of human error, God created a new world by sweeping everything away in a cataclysmic flood. This story, which is spread all over the world, is a common memory that persists within a collective human consciousness in the face of catastrophe. It may also have originated from a common fear of natural disaster. The authenticity of the myth is unknown, but traces of a great flood exist as a stratum under humanities feet and within human history. Fossils are traces of extinct creatures long ago, however people in the past considered fossils as minerals that were formed to coordinate with living things that grew underground. My exhibition is a space to preserve fossils, traces of dead life, and a natural history museum where living things are reborn within a flood. I would like to see this place through the eyes of people in the past, who used fossils as a tool to prove myths. I’ve created several glass works around this outdated concept, viewing fossils of minerals which have grown in the ground in harmony with organisms. For this exhibition I have worked to unite the living being brought into the digital world, and human memories of the diluvium (the great flood). I contemplate what dreams they will have in these six days of a common myth of the global world when those born and creators all come to rest after the hexameron. The glass that makes up every surface of what is presented in this space is a mineral that can resemble the shape of living organisms and a screen that allows us to delve into a deeper layer of understanding. In this project my glass sculptures hold the potential to act as a buffer between our modern understanding of fossils and that of humans in the past. What I’m trying to portray is a natural history museum. A museum where fossils, the trace of dead organisms are stored. Here, ancient natural objects made for religious purposes in the 17th century and fossils in the virtual world can be seen together in the possible form of themselves after a flood. They were not supposed to drown in the water, but as they do, the creation of a new creature can be encouraged as they wake up from death. |
Price. | KRW 5,000 |
Spec. | Book |
Size. | 200 x 280 mm |
Material. | Hayne Park, SUPERSALADSTUFF |
구매방법 | |
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않은 주문은 자동취소 됩니다.
글로리홀(Gloryhole Light Sales)에선 택배를 통해 전국지역으로 3일 ~ 7일안에 배송비(KRW 4,000)를 포함해 배송하고있습니다.
※ 고객님의 책임 있는 사유로 상품등이 멸실 또는 파손된 경우는 환불 및 교환이 어려우며, 받으신 작업에 중대한 문제가 있다고 판단될 경우 교환 및 반품이 7일 이내 가능합니다. 또한 고객님의 마음이 바뀌어 교환, 반품을 하실 경우 상품반송 비용은 고객님께서 부담하셔야 합니다.